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Biennale Bursts on Sydney, Australia
May 26, 2000 – July 30, 2000

Yayoi Kusama, Infinity Mirror Room - Phalli’s Field (or Floor Show), 1965 (no longer extant: Reconstructed 1998) sewn stuffed fabric, plywood, mirrors, room measures 250 x 500 x 500 cm, courtesy the artist
Yayoi Kusama Infinity Mirror Room - Phalli’s Field (or Floor Show) 1965

What do an infinity room of mirrored phalluses, another one filled with bouncing polka-dotted helium balloons, and an installation of 100 coffins and 100 trees have in common?

During the next 66 days, visitors to several sites around Sydney will discover that the Biennale of Sydney is the single unifying factor. Opening May 26 and continuing until July 30, this massive international festival of contemporary art will transform the city with discussion, debate, and visual delight.

Yoko Ono, who happens to be the creator of the Ex It installation of coffins and trees, attended the opening in Sydney on May 25. Many of the other 47 exhibitors representing film, photography, art, ceramics, performance, sculpture, video, and other mediums were also in Australia for the opening.

Yoko Ono with 'Ex It', 1998. 100 coffins, 100 trees, Ex It, El Almudin, Valencia floorspace 8.00 x 28.60 m courtesy Lenono Photo Archive & Generalitat Valenciana photography: Miguel Angel Valero
Yoko Ono with 'Ex It', 1998

Fiona Hall, Paradisus Terrestria Entitled, 1999, dumban (Bundajalung), staghorn, Platycerium superbum, aluminium and tin, 25.5 x 15.0 x 2.2 cm, courtesy Roslyn Oxley9 Gallery, Sydney
Fiona Hall Paradisus Terrestria Entitled 1999

Plus-points for the festival are that all exhibitions are free of charge and the prestigious Museum of Contemporary Art, centrally located opposite the Sydney Opera House, has devoted its entire space to Biennale exhibitions. Other venues include The Art Gallery of New South Wales, Object Gallery: Australian Centre for Craft and Design at Customs House, and Artspace. Even the gardens of Government House have been utilized to display a garden installation-- Gene Pool by Australian artist Fiona Hall.

The Biennale of Sydney began in 1973, and since then has presented over 1,000 artists from around 60 countries. This year, 23 nations are represented in this, the 12th festival, with artists’ ages ranging from 31 to 89 years old. An important feature of this year's Biennale is a display of indigenous aboriginal art, coinciding with a series of special events being held in the city to foster the reconciliation of indigenous and non-indigenous peoples of Australia.

Artists in this year's Biennale include Doug Aitken (USA), Gordon Bennett (Australia), Bill Hammond (New Zealand), Chris Ofili (UK), Gerhard Richter (Germany) and Yayoi Kusama (Japan). Kusama, the creator of those two amazing rooms mentioned at the outset, believes that "Polka dots are a way to infinity." He says, "Our earth is only one polka dot among the millions of stars in the cosmos."

Chris Ofili, The Adoration of Captain Shit and the Legend of the Black Stars, 1998, acrylic, oil, resin, paper collage, glitter, map pins and elephant dung on canvas 200 x 270 cm courtesy Victoria & Warren Miro, London
Chris Ofili The Adoration of Captain Shit and the Legend of the Black Stars 1998

For more information check the Biennale's Web site at: www.biennaleofsydney.com.au

By Sally Hammond

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